Porcelain begins as clay and mineral, pressed and fired until it’s dense enough to shrug off water, heat, scratches, and stains. What makes it remarkable is what happens on the surface — the grain of oak, the veins of marble, the glow of onyx, rendered in formats natural stone can’t reach.
A bright white crystalline ground crossed by fine, feathery strands of pale gold and grey, polished so the crystal in the stone catches the light and the surface gains an almost glassy depth.
VITRUM WHITE
A soft white-grey ground crossed by watery drifts of silver and pale slate and threaded with fine darker veins, honed to a matte finish so the movement reads as calm rather than dramatic.
ATLANTIC OCEAN
Broad pale fragments drift across this slab, held together by a dense web of violet, aubergine and warm brown veining, and the honed finish keeps the colour deep and matte rather than glassy.
CALACATTA VIOLA (HONED)
A brilliant white ground cut by bold, sweeping bands of true black, polished so the contrast stays sharp and the veining keeps its edge.
PANDA
A bright white ground crossed by broad bands of bronze, taupe and warm brown, honed to a soft matte finish so the metal tones stay deep rather than glossy.
GEMMA BRONZE
